YENLIK ABDISSATTAR
Information & Interaction Design, Yonsei University (South Korea)



I’m an explorative designer driven by curiosity about perception and emotion in design. My practice moves across digital media, visual storytelling, and experimental forms — from product and editorial design to 3D and motion graphics.

Currently studying Information and Interaction Design at Yonsei University, I spent Fall 2025 on exchange at Nanyang Technological University (Singapore), majoring in Art, Design & Media.

Skilled in Adobe Illustrator, After Effects, Premiere Pro, Maya, and RunComfy, I’ve also taken classes in abstract product design and spatial storytelling. My process is both analytical and intuitive — balancing structure with imagination.

yenlik.abdissattar@gmail.com
kakaotalk: kllneiy
instagram: kllneiy


A typographic and editorial exploration inspired by TIME magazine’s rhythm and order. This project studies hierarchy, proportion, and grid systems through a modern re-imagining of Zaha Hadid’s architectural legacy. Each spread balances structure and flow, combining text density with spacious calm.

The layout transforms information into movement — columns as architectural forms, typography as spatial experience. It reflects on how design can tell stories with precision and poise, echoing the discipline of architectural logic in editorial space.




RunwAI reimagines fashion through the lens of artificial intelligence. Each frame explores the tension between the synthetic and the sensual — garments that exist only in code, yet breathe with realism. The project merges AI-generated imagery with cinematic direction, evoking the poise of a digital runway suspended between dream and technology.

Using RunComfy, ControlNet, and Cinemachine, the work orchestrates light, movement, and texture to simulate fabric and emotion. It’s not a study of fashion as product, but as perception — how technology interprets beauty, and where human touch still lingers.




Fly Me to the Moon: motion graphics

Fly Me to the Moon is a kinetic typography study translating melody into movement and form. The project visualizes Sinatra’s iconic song not through sound, but through rhythm in space — type, curve, and contrast becoming instruments themselves.

Inspired by the relationship between music and architecture, the composition plays with alignment and motion to create emotional resonance. The piano keys act as both structure and metaphor — stability beneath the lyrical flow. As the lyrics drift across the screen, typography transforms into choreography: a visual echo of sound and silence.

The color palette of midnight blue, ivory, and soft gradients reflects the song’s nocturnal calm, while the animation’s pacing mirrors a waltz — slow, graceful, slightly nostalgic. Every letter moves like a note; every pause, a breath.

Tools: After Effects, Illustrator, Premiere Pro
Focus: Motion design, rhythm, spatial typography




Gazebo: Documentary Filmmaiking

Gazebo is a short observational film that studies the emotion found in ordinary time — in the quiet gestures, unspoken pauses, and the rhythm of existing. Shot with minimal direction, the film relies on composition, pacing, and light to evoke mood rather than narrative.

Edited in Premiere Pro, it explores how rhythm in motion mirrors the rhythm of thought — how every cut can feel like a breath, every silence like a sentence. The result is a visual meditation on presence: what happens when we stop explaining and simply watch.

Tools: Premiere Pro, After Effects, Thrifted pictures
Focus: Rhythm, composition, emotional minimalism